Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
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Francesco Albani Albani Baptism of Christ ca 1640 oil painting


Albani Baptism of Christ ca 1640
Måleriet identifieringen::  58182
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Albani Baptism of Christ ca 1640
Albani's Baptism of Christ ca 1640 (State Hermitage Museum, St. Petersburg).
Albani's_Baptism_of_Christ_ca_1640_(State_Hermitage_Museum,_St._Petersburg).
   
   
     

Francesco Albani Baptism of Christ oil painting


Baptism of Christ
Måleriet identifieringen::  73796
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Baptism of Christ
Baptism of Christ cjr
Baptism_of_Christ cjr
   
   
     

Francesco Albani TOilet of Venus oil painting


TOilet of Venus
Måleriet identifieringen::  75849
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TOilet of Venus
between 1621(1621) and 1633(1633) Oil on canvas 252 cm (99.2 in). Height: 202 cm (79.5 in). cjr
between_1621(1621)_and_1633(1633) _ Oil_on_canvas _ _252_cm_(99.2_in)._Height:_202_cm_(79.5_in). _ cjr
   
   
     

Francesco Albani The Holy Family oil painting


The Holy Family
Måleriet identifieringen::  76008
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The Holy Family
ca. 1610(1610) Oil on copper 28.5 cm (11.2 in). Height: 37.5 cm (14.8 in). cjr
ca._1610(1610) _ Oil_on_copper _ 28.5_cm_(11.2_in)._Height:_37.5_cm_(14.8_in). _ cjr
   
   
     

Francesco Albani Spring oil painting


Spring
Måleriet identifieringen::  76011
Titta min galleri i Sverige
Spring
between 1616(1616) and 1617(1617) Oil on canvas cjr
between_1616(1616)_and_1617(1617) Oil_on_canvas _ cjr
   
   
     

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     Francesco Albani
     (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

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